174 bars of 4/4 at a walking 103 BPM, 6:48 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 54-56, 58 and 60, and 10 more places -- 20.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
21 fills to learn, played 45 times: bars 34, 35, 36, 37, 45, 49 and 39 more.
17 more fills are written out on the fills page.
174 bars across 16 sections: 81 keep time, 45 are fills, 10 are stops and 24 are silent. The longest unbroken stretch of time is bars 86-92.
103 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
77 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 65 out of 100; the rest of the number is everything around it.
174 bars, about 6:48 at the written tempo. The course breaks it into 58 exercises over 18 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
21 fills to learn, played 45 times: bars 34, 35, 36, 37, 45, 49 and 39 more.