150 bars of 4/4 at 130 BPM, about 4:51 of playing, on crash, ride, hi-hat, snare, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 23, 25 and 56, and 11 more places -- 17.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
150 bars across 14 sections: 118 keep time, 3 are stops and 7 are silent. The longest unbroken stretch of time is bars 1-22.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
150 bars, about 4:51 at the written tempo. The course breaks it into 41 exercises over 11 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.