606 bars of 3/4 -- not four -- at 130 BPM, 15:27 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 439-453 and 455-502 -- 13.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
19 fills to learn, played 48 times: bars 1, 2, 60, 85, 91, 114 and 42 more.
16 more fills are written out on the fills page.
611 bars across 39 sections: 312 keep time, 48 are fills, 78 are stops and 134 are silent. The longest unbroken stretch of time is bars 440-502.
130 BPM, in 3/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
77 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 68 out of 100; the rest of the number is everything around it.
606 bars, about 15:27 at the written tempo. The course breaks it into 115 exercises over 32 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
19 fills to learn, played 48 times: bars 1, 2, 60, 85, 91, 114 and 42 more.