111 bars of 4/4 at a walking 87 BPM, 5:03 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 33-34, 36-37 and 39-40, and 9 more places -- 23.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 24 times: bars 10, 12, 15, 19, 25, 28 and 18 more.
4 more fills are written out on the fills page.
111 bars across 10 sections: 67 keep time, 24 are fills, 3 are stops and 10 are silent. The longest unbroken stretch of time is bars 82-88.
87 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
74 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 58 out of 100; the rest of the number is everything around it.
111 bars, about 5:03 at the written tempo. The course breaks it into 28 exercises over 10 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 24 times: bars 10, 12, 15, 19, 25, 28 and 18 more.