253 bars of 4/4 at 150 BPM, about 6:47 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
ride through bars 1-7, hi-hat through bars 8-22, toms through bars 23-24, ride through bars 25-40, hi-hat through bars 41-56 and ride through bars 57-74, and 22 more changes after that.
The beat the song is built on is one bar, played through bars 25-31, 33-39 and 57-63, and 1 more place -- 11.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
26
1e+a2e+a3e+a4e+a
RD |x-x-x-x-x-x-x-x-|
SD |--x---x---x---x-|
BD |x---xx--x---xx--|23 fills to learn, played 56 times: bars 8, 12, 16, 23, 24, 32 and 50 more.
It cuts the song into 84 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 65 out of 100; the rest of the number is everything around it.
253 bars, about 6:47 at the written tempo. The course breaks it into 84 exercises over 25 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
23 fills to learn, played 56 times: bars 8, 12, 16, 23, 24, 32 and 50 more.