253 bars of 4/4 at 150 BPM, about 6:47 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 25-31, 33-39 and 57-63, and 1 more place -- 11.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
23 fills to learn, played 56 times: bars 8, 12, 16, 23, 24, 32 and 50 more.
19 more fills are written out on the fills page.
254 bars across 20 sections: 146 keep time, 57 are fills, 26 are stops and 6 are silent. The longest unbroken stretch of time is bars 89-99.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 65 out of 100; the rest of the number is everything around it.
253 bars, about 6:47 at the written tempo. The course breaks it into 84 exercises over 25 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
23 fills to learn, played 56 times: bars 8, 12, 16, 23, 24, 32 and 50 more.