41 bars of 4/4 at 120 BPM, about 1:22 of playing, on crash, ride, hi-hat, snare, high tom, mid tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 13-17, 19 and 21 -- 17.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
2 fills to learn, played 3 times: bars 4, 28 and 41.
41 bars across 6 sections: 21 keep time, 3 are fills, 10 are stops and 2 are silent. The longest unbroken stretch of time is bars 14-22.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 89 out of 100; the rest of the number is everything around it.
41 bars, about 1:22 at the written tempo. The course breaks it into 16 exercises over 5 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 3 times: bars 4, 28 and 41.