229 bars of 4/4 at 120 BPM, about 7:38 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 33-35, 43-46 and 77-83, and 4 more places -- 22.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 25 times: bars 20, 28, 31, 32, 47, 48 and 19 more.
12 more fills are written out on the fills page.
229 bars across 19 sections: 133 keep time, 27 are fills, 35 are stops and 17 are silent. The longest unbroken stretch of time is bars 150-164.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
69 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 74 out of 100; the rest of the number is everything around it.
229 bars, about 7:38 at the written tempo. The course breaks it into 56 exercises over 15 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 25 times: bars 20, 28, 31, 32, 47, 48 and 19 more.