229 bars of 4/4 at 120 BPM, about 7:38 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
69 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-16, toms through bars 17-32, hi-hat through bars 33-35, ride through bars 36-42, hi-hat through bars 43-55 and ride through bars 56-61, and 12 more changes after that.
The beat the song is built on is one bar, played through bars 33-35, 43-46 and 77-83, and 4 more places -- 22.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
33
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |--o-o-o-o-o-o-o-|
SD |-x-x-x-x-x-x-x-x|
BD |x-x-x-x-x-x-x-x-|16 fills to learn, played 25 times: bars 20, 28, 31, 32, 47, 48 and 19 more.
It cuts the song into 56 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
69 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 74 out of 100; the rest of the number is everything around it.
229 bars, about 7:38 at the written tempo. The course breaks it into 56 exercises over 15 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 25 times: bars 20, 28, 31, 32, 47, 48 and 19 more.