115 bars of 4/4 at 133 BPM, about 3:28 of playing, on crash, hi-hat, snare, high tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 22, 24 and 26, and 22 more places -- 25.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
10 fills to learn, played 18 times: bars 12, 13, 21, 29, 37, 48 and 12 more.
6 more fills are written out on the fills page.
115 bars across 7 sections: 85 keep time, 18 are fills and 2 are stops. The longest unbroken stretch of time is bars 97-115.
133 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 47 out of 100; the rest of the number is everything around it.
115 bars, about 3:28 at the written tempo. The course breaks it into 36 exercises over 10 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 18 times: bars 12, 13, 21, 29, 37, 48 and 12 more.