117 bars of 4/4 at 133 BPM, about 3:31 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 5-7, 33-35 and 53-54, and 8 more places -- 19.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 17 times: bars 32, 49, 50, 51, 52, 84 and 11 more.
3 more fills are written out on the fills page.
117 bars across 15 sections: 77 keep time, 17 are fills, 2 are stops and 5 are silent. The longest unbroken stretch of time is bars 38-48.
133 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 27 out of 100; the rest of the number is everything around it.
117 bars, about 3:31 at the written tempo. The course breaks it into 40 exercises over 11 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 17 times: bars 32, 49, 50, 51, 52, 84 and 11 more.