163 bars of 3/4 -- not four -- at 120 BPM, 4:05 of playing on crash, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 25-31 and 65-71 -- 9.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
163 bars across 4 sections: 13 keep time, 140 are stops and 9 are silent. The longest unbroken stretch of time is bars 66-72.
120 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in how much of it falls off the beat. The beat itself is 44 out of 100; the rest of the number is everything around it.
163 bars, about 4:05 at the written tempo. The course breaks it into 7 exercises over 2 sittings, about 29 minutes each.
crash, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.