109 bars of 4/4 at 110 BPM, about 3:56 of playing, on crash, ride, hi-hat, snare, mid tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 2, 4 and 6, and 2 more places -- 8.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 26 times: bars 17, 21, 29, 45, 51, 52 and 20 more.
5 more fills are written out on the fills page.
109 bars across 16 sections: 58 keep time, 26 are fills, 6 are stops and 1 is silent. The longest unbroken stretch of time is bars 2-16.
110 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 52 out of 100; the rest of the number is everything around it.
109 bars, about 3:56 at the written tempo. The course breaks it into 55 exercises over 16 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 26 times: bars 17, 21, 29, 45, 51, 52 and 20 more.