108 bars of 4/4 at 113 BPM, about 4:07 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
41 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
toms through bar 1, kick and crashes through bars 2-24, ride through bars 25-34, hi-hat through bars 35-54, silence through bars 55-56 and ride through bars 57-62, and 6 more changes after that.
The beat the song is built on is one bar, played through bars 41-44, 51-54 and 94-99 -- 14.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
41
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |o---o-o-o---o---|
SD |----x---x-------|
BD |x-----x---------|7 fills to learn, played 13 times: bars 1, 4, 7, 10, 13, 16 and 7 more.
It cuts the song into 37 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
113 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
41 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 45 out of 100; the rest of the number is everything around it.
108 bars, about 4:07 at the written tempo. The course breaks it into 37 exercises over 10 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 13 times: bars 1, 4, 7, 10, 13, 16 and 7 more.