108 bars of 4/4 at 113 BPM, about 4:07 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 41-44, 51-54 and 94-99 -- 14.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 13 times: bars 1, 4, 7, 10, 13, 16 and 7 more.
3 more fills are written out on the fills page.
255 bars across 12 sections: 47 keep time, 13 are fills, 30 are stops and 158 are silent. The longest unbroken stretch of time is bars 64-70.
113 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
41 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 45 out of 100; the rest of the number is everything around it.
108 bars, about 4:07 at the written tempo. The course breaks it into 37 exercises over 10 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 13 times: bars 1, 4, 7, 10, 13, 16 and 7 more.