126 bars of 4/4 at 125 BPM, about 4:02 of playing, on crash, ride, hi-hat, snare, floor tom and kick.
78 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-12, hi-hat through bars 13-20, ride through bars 21-24, snare through bars 25-26, hi-hat through bars 27-28 and snare through bars 29-48, and 10 more changes after that.
The beat the song is built on is one bar, played through bars 41-47 and 67-73 -- 13.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
41
1.......2.......3.......4.......
CC |x-------x-------x-------x-------|
SD |--------x---------------x-------|
BD |x-x-x-x---x---x---x-x-x---x---x-|14 fills to learn, played 30 times: bars 17, 18, 24, 25, 26, 27 and 24 more.
It cuts the song into 49 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
125 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
78 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 58 out of 100; the rest of the number is everything around it.
126 bars, about 4:02 at the written tempo. The course breaks it into 49 exercises over 16 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 30 times: bars 17, 18, 24, 25, 26, 27 and 24 more.