126 bars of 4/4 at 125 BPM, about 4:02 of playing, on crash, ride, hi-hat, snare, floor tom and kick.
The beat the song is built on is one bar, played through bars 41-47 and 67-73 -- 13.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 30 times: bars 17, 18, 24, 25, 26, 27 and 24 more.
10 more fills are written out on the fills page.
126 bars across 14 sections: 56 keep time, 30 are fills, 7 are stops and 20 are silent. The longest unbroken stretch of time is bars 101-114.
125 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
78 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 58 out of 100; the rest of the number is everything around it.
126 bars, about 4:02 at the written tempo. The course breaks it into 49 exercises over 16 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 30 times: bars 17, 18, 24, 25, 26, 27 and 24 more.