171 bars of 4/4 at 130 BPM, about 5:16 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 44-50, 52-59 and 64-66, and 3 more places -- 23.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 24 times: bars 51, 63, 71, 76, 77, 78 and 18 more.
6 more fills are written out on the fills page.
171 bars across 16 sections: 87 keep time, 24 are fills, 28 are stops and 19 are silent. The longest unbroken stretch of time is bars 20-42.
130 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
73 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 57 out of 100; the rest of the number is everything around it.
171 bars, about 5:16 at the written tempo. The course breaks it into 50 exercises over 17 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 24 times: bars 51, 63, 71, 76, 77, 78 and 18 more.