131 bars of 4/4 at 130 BPM, about 4:02 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 42-48, 50-53 and 96-102, and 2 more places -- 19.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 29 times: bars 15, 16, 33, 34, 35, 36 and 23 more.
4 more fills are written out on the fills page.
131 bars across 10 sections: 89 keep time and 29 are fills. The longest unbroken stretch of time is bars 1-14.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
131 bars, about 4:02 at the written tempo. The course breaks it into 46 exercises over 14 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 29 times: bars 15, 16, 33, 34, 35, 36 and 23 more.