229 bars of 4/4 at 136 BPM, about 6:41 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
76 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-7, ride through bars 8-16, hi-hat through bars 17-49, silence through bars 50-51, hi-hat through bars 52-85 and ride through bars 86-91, and 13 more changes after that.
The beat the song is built on is one bar, played through bars 34-40, 42-48 and 69-75, and 3 more places -- 19% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
34
1e+a2e+a3e+a4e+a
CC |x-----x-----x---|
HH |----o---o-------|
SD |----x-------x---|
BD |x-x-x-x-x-x-x-x-|30 fills to learn, played 69 times: bars 8, 9, 10, 12, 13, 14 and 63 more.
It cuts the song into 85 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
136 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
76 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
229 bars, about 6:41 at the written tempo. The course breaks it into 85 exercises over 25 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
30 fills to learn, played 69 times: bars 8, 9, 10, 12, 13, 14 and 63 more.