229 bars of 4/4 at 136 BPM, about 6:41 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 34-40, 42-48 and 69-75, and 3 more places -- 19% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
30 fills to learn, played 69 times: bars 8, 9, 10, 12, 13, 14 and 63 more.
26 more fills are written out on the fills page.
229 bars across 24 sections: 127 keep time, 69 are fills, 5 are stops and 8 are silent. The longest unbroken stretch of time is bars 42-49.
136 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
76 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
229 bars, about 6:41 at the written tempo. The course breaks it into 85 exercises over 25 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
30 fills to learn, played 69 times: bars 8, 9, 10, 12, 13, 14 and 63 more.