84 bars of 4/4 at 110 BPM, about 3:03 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 7, 24-25 and 60-61, and 1 more place -- 9.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 29 times: bars 3, 4, 5, 6, 8, 9 and 23 more.
12 more fills are written out on the fills page.
84 bars across 17 sections: 28 keep time, 29 are fills, 8 are stops and 7 are silent. The longest unbroken stretch of time is bars 29-32.
110 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
78 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 61 out of 100; the rest of the number is everything around it.
84 bars, about 3:03 at the written tempo. The course breaks it into 42 exercises over 13 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 29 times: bars 3, 4, 5, 6, 8, 9 and 23 more.