130 bars of 4/4 at 120 BPM, about 4:20 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 17-31, 33-35 and 37-39, and 3 more places -- 32.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
12 fills to learn, played 17 times: bars 32, 36, 40, 48, 56, 64 and 11 more.
8 more fills are written out on the fills page.
130 bars across 6 sections: 79 keep time, 17 are fills, 28 are stops and 1 is silent. The longest unbroken stretch of time is bars 1-15.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
130 bars, about 4:20 at the written tempo. The course breaks it into 30 exercises over 9 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 17 times: bars 32, 36, 40, 48, 56, 64 and 11 more.