64 bars of 4/4 at 120 BPM, about 2:20 of playing, on crash, ride, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 3-5, 9-11 and 23-25, and 3 more places -- 31% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6 fills to learn, played 16 times: bars 1, 2, 6, 12, 18, 22 and 10 more.
2 more fills are written out on the fills page.
64 bars across 12 sections: 29 keep time, 16 are fills, 1 is a stop and 6 are silent. The longest unbroken stretch of time is bars 7-11.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in how many notes a second it asks for. The beat itself is 45 out of 100; the rest of the number is everything around it.
64 bars, about 2:20 at the written tempo. The course breaks it into 22 exercises over 7 sittings, about 24 minutes each.
crash, ride, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 16 times: bars 1, 2, 6, 12, 18, 22 and 10 more.