103 bars of 4/4 at 114 BPM, about 3:37 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 5-7, 9-12 and 14, and 13 more places -- 28% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 13 times: bars 4, 27, 28, 29, 30, 31 and 7 more.
3 more fills are written out on the fills page.
103 bars across 11 sections: 76 keep time, 13 are fills, 1 is a stop and 3 are silent. The longest unbroken stretch of time is bars 5-24.
114 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 28 out of 100; the rest of the number is everything around it.
103 bars, about 3:37 at the written tempo. The course breaks it into 37 exercises over 9 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 13 times: bars 4, 27, 28, 29, 30, 31 and 7 more.