178 bars of 4/4 at 135 BPM, about 5:15 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 17-19, 21-27 and 29-32, and 7 more places -- 21.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 25 times: bars 1, 9, 20, 28, 33, 41 and 19 more.
8 more fills are written out on the fills page.
179 bars across 10 sections: 119 keep time, 25 are fills, 4 are stops and 24 are silent. The longest unbroken stretch of time is bars 69-95.
135 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
67 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
178 bars, about 5:15 at the written tempo. The course breaks it into 41 exercises over 11 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 25 times: bars 1, 9, 20, 28, 33, 41 and 19 more.