124 bars of 4/4 at 120 BPM, about 4:07 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
snare through bars 3-19, silence through bars 20-26, hi-hat through bars 27-38, snare through bars 39-48, hi-hat through bars 49-70 and snare through bars 71-80, and 4 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 27-34, 51-66 and 85, and 1 more place -- 25.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
27 28
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |x---------------|----------------|
HH |----o---o---o---|o---o---o---o---|
SD |--------x-------|--------x-------|
BD |x-x-------xxxxxx|x-x-------------|10 fills to learn, played 24 times: bars 10, 14, 36, 38, 40, 44 and 18 more.
It cuts the song into 29 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 33 out of 100; the rest of the number is everything around it.
124 bars, about 4:07 at the written tempo. The course breaks it into 29 exercises over 7 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 24 times: bars 10, 14, 36, 38, 40, 44 and 18 more.