124 bars at 157 BPM -- fast, and 3:09 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
snare through bars 2-8, hi-hat through bars 9-33, snare through bars 34-44, toms through bars 45-46, hi-hat through bars 47-54 and toms through bars 55-62, and 6 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 34-36, 38-44 and 47-49, and 3 more places -- 21.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
34 35
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |x---x---x---x---|x---x---x---x---|
SD |--------x-------|--------x-----xx|
BD |x-----x-----x---|--x-x-----x-----|13 fills to learn, played 24 times: bars 25, 29, 32, 33, 45, 46 and 18 more.
It cuts the song into 43 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
157 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
124 bars, about 3:09 at the written tempo. The course breaks it into 43 exercises over 12 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 24 times: bars 25, 29, 32, 33, 45, 46 and 18 more.