124 bars at 157 BPM -- fast, and 3:09 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 34-36, 38-44 and 47-49, and 3 more places -- 21.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 24 times: bars 25, 29, 32, 33, 45, 46 and 18 more.
9 more fills are written out on the fills page.
124 bars across 12 sections: 74 keep time, 24 are fills, 13 are stops and 3 are silent. The longest unbroken stretch of time is bars 11-24.
157 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
124 bars, about 3:09 at the written tempo. The course breaks it into 43 exercises over 12 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 24 times: bars 25, 29, 32, 33, 45, 46 and 18 more.