92 bars of 4/4 at 125 BPM, about 3:06 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 15-21 -- 8.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 23 times: bars 1, 2, 3, 4, 5, 6 and 17 more.
9 more fills are written out on the fills page.
93 bars across 12 sections: 49 keep time, 23 are fills, 3 are stops and 7 are silent. The longest unbroken stretch of time is bars 81-89.
125 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
70 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 55 out of 100; the rest of the number is everything around it.
92 bars, about 3:06 at the written tempo. The course breaks it into 45 exercises over 14 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 23 times: bars 1, 2, 3, 4, 5, 6 and 17 more.