85 bars of 4/4 at 125 BPM, about 2:43 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 25-32, 59 and 69-70, and 2 more places -- 24.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 3 times: bars 11, 42 and 60.
85 bars across 8 sections: 55 keep time, 3 are fills and 20 are stops. The longest unbroken stretch of time is bars 61-73.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in how much of it falls off the beat. The beat itself is 49 out of 100; the rest of the number is everything around it.
85 bars, about 2:43 at the written tempo. The course breaks it into 25 exercises over 7 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 3 times: bars 11, 42 and 60.