113 bars of 4/4 at 114 BPM, about 3:58 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 6, 8 and 10, and 27 more places -- 29.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 6 times: bars 21, 31, 45, 73, 78 and 79.
113 bars across 8 sections: 88 keep time, 6 are fills, 1 is a stop and 11 are silent. The longest unbroken stretch of time is bars 93-113.
114 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 30 out of 100; the rest of the number is everything around it.
113 bars, about 3:58 at the written tempo. The course breaks it into 25 exercises over 7 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 6 times: bars 21, 31, 45, 73, 78 and 79.