134 bars, 9:40, at 54 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 26, 53-54 and 126-128, and 1 more place -- 7.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 33 times: bars 21, 22, 28, 29, 30, 31 and 27 more.
7 more fills are written out on the fills page.
145 bars across 19 sections: 57 keep time, 33 are fills, 8 are stops and 32 are silent. The longest unbroken stretch of time is bars 121-128.
54 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 72 out of 100; the rest of the number is everything around it.
134 bars, about 9:40 at the written tempo. The course breaks it into 50 exercises over 14 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 33 times: bars 21, 22, 28, 29, 30, 31 and 27 more.