188 bars of 4/4 at 150 BPM, about 5:01 of playing, on crash, hi-hat, snare and kick.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
snare through bars 1-16, hi-hat through bars 17-32, snare through bars 33-40, hi-hat through bars 41-72, snare through bars 73-156 and kick and crashes through bars 157-164, and 1 more change after that.
The beat the song is built on is a 2-bar phrase, played through bars 7, 15 and 18-19, and 20 more places -- 18.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
18 19
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
HH |o---o---o---o---|o---o---o---o---|
SD |--------x-------|--------x-------|
BD |--x-xxxxxxxxxxx-|-x--xxxx--x-x---|7 fills to learn, played 44 times: bars 3, 4, 5, 6, 8, 11 and 38 more.
It cuts the song into 45 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
188 bars, about 5:01 at the written tempo. The course breaks it into 45 exercises over 14 sittings, about 26 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.
7 fills to learn, played 44 times: bars 3, 4, 5, 6, 8, 11 and 38 more.