188 bars of 4/4 at 150 BPM, about 5:01 of playing, on crash, hi-hat, snare and kick.
The beat the song is built on is a 2-bar phrase, played through bars 7, 15 and 18-19, and 20 more places -- 18.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 44 times: bars 3, 4, 5, 6, 8, 11 and 38 more.
3 more fills are written out on the fills page.
188 bars across 12 sections: 128 keep time and 44 are fills. The longest unbroken stretch of time is bars 46-70.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
188 bars, about 5:01 at the written tempo. The course breaks it into 45 exercises over 14 sittings, about 26 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.
7 fills to learn, played 44 times: bars 3, 4, 5, 6, 8, 11 and 38 more.