282 bars of 4/4 at 135 BPM, about 7:39 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 37-43, 45-51 and 77-83, and 3 more places -- 15.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 35 times: bars 19, 20, 36, 44, 71, 72 and 29 more.
9 more fills are written out on the fills page.
282 bars across 21 sections: 194 keep time, 35 are fills, 14 are stops and 14 are silent. The longest unbroken stretch of time is bars 1-18.
135 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
282 bars, about 7:39 at the written tempo. The course breaks it into 58 exercises over 15 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 35 times: bars 19, 20, 36, 44, 71, 72 and 29 more.