158 bars of 4/4 at 135 BPM, about 4:30 of playing, on crash, ride, hi-hat, snare, high tom, mid tom and kick.
The beat the song is built on is one bar, played through bars 10, 37-41 and 52-54, and 5 more places -- 12.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
18 fills to learn, played 33 times: bars 1, 9, 22, 43, 44, 45 and 27 more.
14 more fills are written out on the fills page.
158 bars across 17 sections: 100 keep time, 33 are fills, 3 are stops and 1 is silent. The longest unbroken stretch of time is bars 118-128.
135 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
90 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 63 out of 100; the rest of the number is everything around it.
158 bars, about 4:30 at the written tempo. The course breaks it into 77 exercises over 28 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 33 times: bars 1, 9, 22, 43, 44, 45 and 27 more.