78 bars of 6/4 -- not four -- at 115 BPM, 3:30 of playing on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 22-23, 26 and 28, and 3 more places -- 16.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 11 times: bars 21, 25, 29, 37, 39, 40 and 5 more.
5 more fills are written out on the fills page.
78 bars across 8 sections: 25 keep time, 11 are fills and 35 are silent. The longest unbroken stretch of time is bars 50-55.
115 BPM, in 6/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 47 out of 100; the rest of the number is everything around it.
78 bars, about 3:30 at the written tempo. The course breaks it into 28 exercises over 8 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 11 times: bars 21, 25, 29, 37, 39, 40 and 5 more.