73 bars of 4/4 at 128 BPM, about 2:18 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 58-64 and 66-72 -- 19.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 14 times: bars 6, 7, 8, 9, 25, 26 and 8 more.
3 more fills are written out on the fills page.
73 bars across 8 sections: 45 keep time, 14 are fills, 2 are stops and 1 is silent. The longest unbroken stretch of time is bars 42-48.
128 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
76 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 57 out of 100; the rest of the number is everything around it.
73 bars, about 2:18 at the written tempo. The course breaks it into 24 exercises over 8 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 14 times: bars 6, 7, 8, 9, 25, 26 and 8 more.