73 bars of 4/4 at 128 BPM, about 2:18 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
76 out of 100: demanding, mostly on the independence between the hands and the feet.
ride through bars 2-5, snare through bars 6-10, ride through bars 11-17, hi-hat through bars 18-34, ride through bars 35-49 and hi-hat through bars 50-57, and 1 more change after that.
The beat the song is built on is one bar, played through bars 58-64 and 66-72 -- 19.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
58
1.......2.......3.......4.......
CC |x---x---x---x---x---x---x---x---|
SD |----x-------x-------x-------x---|
BD |x-------x-----x---x-----x-------|5 fills to learn, played 14 times: bars 6, 7, 8, 9, 25, 26 and 8 more.
It cuts the song into 24 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
128 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
76 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 57 out of 100; the rest of the number is everything around it.
73 bars, about 2:18 at the written tempo. The course breaks it into 24 exercises over 8 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 14 times: bars 6, 7, 8, 9, 25, 26 and 8 more.