141 bars of 4/4 at 135 BPM, about 3:49 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 5-12, 21-27 and 37-41, and 3 more places -- 27.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6 fills to learn, played 19 times: bars 4, 16, 17, 20, 32, 33 and 13 more.
2 more fills are written out on the fills page.
141 bars across 13 sections: 84 keep time, 19 are fills, 18 are stops and 3 are silent. The longest unbroken stretch of time is bars 92-104.
135 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
141 bars, about 3:49 at the written tempo. The course breaks it into 33 exercises over 10 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 19 times: bars 4, 16, 17, 20, 32, 33 and 13 more.