97 bars of 4/4 at 132 BPM, about 2:56 of playing, on crash, ride, hi-hat, snare, mid tom and kick.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-8, snare through bars 9-14, hi-hat through bars 15-30, ride through bars 31-38, hi-hat through bars 39-42 and ride through bars 43-45, and 6 more changes after that.
The beat the song is built on is one bar, played through bars 9, 11 and 13, and 9 more places -- 16.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11
1e+a2e+a3e+a4e+a
CC |x---x---x---x---|
SD |----x-------x---|
BD |x-------x-x---x-|11 fills to learn, played 23 times: bars 8, 10, 12, 14, 18, 22 and 17 more.
It cuts the song into 39 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
132 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 30 out of 100; the rest of the number is everything around it.
97 bars, about 2:56 at the written tempo. The course breaks it into 39 exercises over 9 sittings, about 30 minutes each.
crash, ride, hi-hat, snare, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 23 times: bars 8, 10, 12, 14, 18, 22 and 17 more.