97 bars of 4/4 at 132 BPM, about 2:56 of playing, on crash, ride, hi-hat, snare, mid tom and kick.
The beat the song is built on is one bar, played through bars 9, 11 and 13, and 9 more places -- 16.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 23 times: bars 8, 10, 12, 14, 18, 22 and 17 more.
7 more fills are written out on the fills page.
97 bars across 11 sections: 49 keep time, 23 are fills, 7 are stops and 8 are silent. The longest unbroken stretch of time is bars 44-53.
132 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 30 out of 100; the rest of the number is everything around it.
97 bars, about 2:56 at the written tempo. The course breaks it into 39 exercises over 9 sittings, about 30 minutes each.
crash, ride, hi-hat, snare, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 23 times: bars 8, 10, 12, 14, 18, 22 and 17 more.