121 bars of 6/4 -- not four -- at 133 BPM, 5:27 of playing on crash, hi-hat, snare, high tom, mid tom and kick.
The beat the song is built on is one bar, played through bars 26-28, 30-32 and 34-36, and 5 more places -- 31.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
3 fills to learn, played 8 times: bars 33, 37, 49, 57, 59, 71 and 2 more.
121 bars across 9 sections: 54 keep time, 8 are fills and 52 are silent. The longest unbroken stretch of time is bars 39-48.
133 BPM, in 6/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
28 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 30 out of 100; the rest of the number is everything around it.
121 bars, about 5:27 at the written tempo. The course breaks it into 20 exercises over 5 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 8 times: bars 33, 37, 49, 57, 59, 71 and 2 more.