80 bars of 4/4 at 132 BPM, about 2:25 of playing, on crash, hi-hat, snare, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 5-11, 13-18 and 29-30, and 1 more place -- 22.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 3 times: bars 20, 36 and 64.
80 bars across 5 sections: 67 keep time, 3 are fills, 4 are stops and 5 are silent. The longest unbroken stretch of time is bars 65-80.
132 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
80 bars, about 2:25 at the written tempo. The course breaks it into 18 exercises over 7 sittings, about 23 minutes each.
crash, hi-hat, snare, floor tom and kick. Nothing in the part asks for anything else.
3 fills to learn, played 3 times: bars 20, 36 and 64.