43 bars, 2:18, at 75 BPM: slow enough that every note is exposed. Crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 13-15, 24-27 and 34, and 3 more places -- 30.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
3 fills to learn, played 4 times: bars 10, 11, 35 and 41.
43 bars across 8 sections: 31 keep time, 4 are fills and 4 are silent. The longest unbroken stretch of time is bars 14-21.
75 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
34 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 27 out of 100; the rest of the number is everything around it.
43 bars, about 2:18 at the written tempo. The course breaks it into 16 exercises over 5 sittings, about 23 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 4 times: bars 10, 11, 35 and 41.