107 bars of 4/4 at 135 BPM, about 3:04 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 9, 11 and 13-15, and 4 more places -- 23.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 11 times: bars 5, 6, 7, 10, 12, 31 and 5 more.
3 more fills are written out on the fills page.
107 bars across 9 sections: 82 keep time, 11 are fills and 2 are stops. The longest unbroken stretch of time is bars 46-58.
135 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
74 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 56 out of 100; the rest of the number is everything around it.
107 bars, about 3:04 at the written tempo. The course breaks it into 39 exercises over 15 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 11 times: bars 5, 6, 7, 10, 12, 31 and 5 more.