161 bars of 4/4 at 117 BPM, about 5:30 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 46, 48 and 50, and 11 more places -- 21.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 31 times: bars 8, 12, 20, 24, 26, 28 and 25 more.
10 more fills are written out on the fills page.
161 bars across 13 sections: 94 keep time, 32 are fills and 22 are stops. The longest unbroken stretch of time is bars 126-147.
117 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 32 out of 100; the rest of the number is everything around it.
161 bars, about 5:30 at the written tempo. The course breaks it into 55 exercises over 15 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 31 times: bars 8, 12, 20, 24, 26, 28 and 25 more.