59 bars of 4/4 at a walking 80 BPM, 2:57 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 17-19, 21-23 and 33-35, and 3 more places -- 26.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
9 fills to learn, played 15 times: bars 16, 20, 24, 32, 36, 38 and 9 more.
5 more fills are written out on the fills page.
59 bars across 6 sections: 31 keep time, 15 are fills, 1 is a stop and 7 are silent. The longest unbroken stretch of time is bars 25-31.
80 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 46 out of 100; the rest of the number is everything around it.
59 bars, about 2:57 at the written tempo. The course breaks it into 22 exercises over 6 sittings, about 28 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 15 times: bars 16, 20, 24, 32, 36, 38 and 9 more.