61 bars of 4/4 at a walking 80 BPM, 3:03 of playing, on crash, ride, hi-hat, snare, mid tom and kick.
The beat the song is built on is one bar, played through bars 29-35 and 37-43 -- 24.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
2 fills to learn, played 3 times: bars 28, 52 and 60.
61 bars across 7 sections: 27 keep time, 3 are fills, 22 are stops and 4 are silent. The longest unbroken stretch of time is bars 30-43.
80 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
26 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 11 out of 100; the rest of the number is everything around it.
61 bars, about 3:03 at the written tempo. The course breaks it into 20 exercises over 5 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 3 times: bars 28, 52 and 60.